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MAINFRAME ENTERTAINMENT LEVERAGES VICON TO BRING SKATEBOARD TALE TO LIFE FOR TONY HAWK IN BOOM BOOM SABOTAGEAnimated Movie Captures the Subtleties of Skaters’ Signature Moves and Styles Los Angeles, CA (June 21, 2006) – VICON, developer of Academy Award®-winning motion capture technology, announced the use of a VICON MX40 motion capture system by Mainframe Entertainment for the 70-minute animated movie Tony Hawk in Boom Boom Sabotage. VICON MX motion capture offered the extreme accuracy and real-time performance required to record the signature performances of skateboard legend Tony Hawk and a supporting cast of skaters to bring true-to-form performances to their counterparts in the all-CGI film. 95 percent of animation for the completely CGI project, which sees a town turned upside down by Hawk’s HuckJam tour, was recorded via motion capture. Mainframe captured more than 15,000 skateboard tricks between a shoot on location with Tony Hawk in San Diego, CA, and a session with pro street riders on its own VICON motion capture stage in Vancouver, Canada. “With skateboarding, you love a certain skater for the way they move, their style, the way they land, etc. It’s so specific to their skating,” said Ben Burden Smith, Producer and Co-Writer on Tony Hawk in Boom Boom Sabotage at Mainframe Entertainment. “We knew motion capture was the only way to bring these super-miniscule details to our characters – and to skateboard fans. VICON performs so well that our mo-cap sessions just became these great organic skate jams where the skaters were super comfortable and could just go when they wanted to. We were able to avoid any form of shooting structure… it was refreshing and a lot of fun.” Motion details were derived by placing motion capture markers on each skater’s board using reflective tape – also trackable via the VICON cameras, to record rotational data about how the boards were flipping, spinning or even being held in the skateboarders’ hands. An array of ramps – one up to 13 feet high, and other props provided the athletes with familiar action turf. “We were recording something like eight tricks in a single run with Tony, and only needed about an hour of his time to capture motions that were so perfect and ‘stylee,’” recalled Burden Smith. Motion capture was also recorded for numerous other characters in the movie, such as circus “carnies” whose local fame is displaced by the arrival of the HuckJam tour. Tony Hawk in Boom Boom Sabotage, distributed by FUNimation Ent. in the U.S., and by Alliance Atlantis in Canada, will be available on DVD on September 12th and is set to air on the Cartoon Network in November. “Motion capture has become so production friendly and supportive of the creative process,” Burden Smith added. “These days, on the motion capture stage you actually get to make your movie a couple of times. The speed and accuracy has been growing by leaps and bounds and VICON’s R&D leadership in Hollywood is bringing about benefits for everyone, not just the larger players. VICON’s support is amazing, and, as a producer, that helps me sleep better!” OFFICIAL MOVIE WEBSITE: www.boomboomsabotage.com About Mainframe Entertainment Mainframe migrated to a VICON MX motion capture system from its previous motion capture setup in September 2004, and now boasts a 5,000 square-foot dedicated in-house motion capture studio. Mainframe’s motion capture studio also does facial capture. About VICON #### VICON and VICON MX are trademarks of OMG plc. Academy Award is a trade or servicemark of the Academy of Motion Picture Arts & Sciences. All other trademarks are the property of their respective owners.
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